The Cinema of Globalization: A Guide to Films about the New Economic Order

Contents -- Acknowledgments -- Introduction -- The Films -- Afro@digital -- Alambrista -- All for One -- American Daylight -- American Jobs -- Another World Is Possible -- The Apprentice -- Argentina -- Auf Wiedersehen, Pet -- Baked Alaska -- The Bank -- Baran -- The Battle of Orgreave -- The Bed You Sleep In -- Beijing Bicycle -- Bella Ciao -- Betrayed -- Between Midnight and the Rooster's Crow -- Big Bucks, Big Pharma -- Bigger than Enron -- Blacklist of the Skies -- Blackout -- Blind Shaft -- Blue Collar and Buddha -- Blue Vinyl -- The Border -- Breaking the Bank -- Caribe -- Chain -- Chain of Love -- Choropampa -- Collision Course -- The Commanding Heights -- Congo -- The Constant Gardener -- Controlling Interest -- The Corporation -- The Crooked E -- The Curse of Inca Gold -- Czech Dream -- Dance with Farm Workers -- A Darker Side of Fair -- Darwin's Nightmare -- A Day without a Mexican -- Deadliest Catch -- Death in the Garden -- A Decent Factory -- The Diamond Life -- Diamonds and [...]Rust -- Dirt -- Dirty Pretty Things -- Diverted to Delhi -- Divine Carcasse -- Dockers -- Dot Con -- Do They Catch Children Too? -- Edge of Darkness -- Edit -- E-Dreams -- Enron -- EPIC 2014 -- Extreme Oil -- Farmingville -- Fear and Trembling -- Fishing in the Sea of Greed -- Fish Is Our Life -- Le Franc -- From Mao to Money -- From the Other Side -- The Future of Food -- Ghost in the Shell -- Girl in the Café -- The Global Assembly Line -- The Globalisation Tapes -- Global Village or Global Pillage? -- Grupo Alavio Films -- Gutted -- H-2 Worker -- The Hidden Face of Globalization -- High and Low -- How Yukong Moved the Mountains -- The Human Cost Behind Bargain Shopping -- Human Error -- Human Trafficking -- Hyenas -- I Heart Huckabees -- I Like to Work -- Inch'Allah dimanche -- The Inheritance -- The Insider -- The Island -- Is Wal-Mart Good for America? -- It's All True -- The Jaguar Quartet -- Knock Off -- Life and Debt -- Lilya 4Ever -- The Little Girl Who Sold the Sun -- Live Nude Girls Unite! -- Maid in America -- Mandabi -- Maquila -- Mardi Gras -- The Mark Thomas Comedy Product -- The Mattei Affair -- McLibel -- The Men Who Would Conquer China -- Mickey Mouse Goes to Haiti -- Mine -- MM -- Mojados -- Mondovino -- My Journey Home -- Nalini by Day, Nancy by Night -- The Navigators -- Net Loss -- The New Americans -- New Earth -- The New Rulers of the World -- Nightcleaners -- Night on Earth -- No Logo -- No Sweat -- Not This Time -- Now or Never -- Off the Clock -- The Oil Factor -- Oil on Ice -- Our Friends in the North -- Outrageous Fortunes -- Outsource This! -- The Phantom of the Operator -- The Ploughman's Lunch -- Il Posto dell'anima -- Power Trip -- Profit & Nothing But! -- Railroad of Hope -- Rancho California -- Rebellion in Patagonia -- Re-Code.com Commercial -- Red Desert -- The Revolution Will Not Be Televised -- Rollover -- Rouch in Reverse -- Saaraba -- Savage Capitalism -- Save the Green Planet -- Save the Tiger -- Sex Slaves -- Showdown in Seattle -- A Single Spark -- Songs from the Second Floor -- Squaring the Circle -- State of Play -- Store Wars -- Syriana -- The Take -- Talking to the Wall -- The Tank Man -- Taxi Dreams -- Tell Us the Truth -- They Live -- Thirst -- This Is Nowhere -- This Is What Democracy Looks Like -- Los Trabajadores -- Trading Women -- Trinkets and Beads -- Under the Skin of the City -- Under the Tower -- The Universal Clock -- Unknown Quantity -- Unreported World -- Up in Smoke -- Uprooted -- El Valley Central -- Valley of Tears -- A Very British Coup -- Wage Slaves -- Wall Street -- Wal-Mart's War on Workers -- Wal-Mart: The High Cost of Low Prices -- Water -- Waydowntown -- Where Do You Stand? -- Where's Rosie? -- Where the Heart Is -- Where the Rivers Flow North -- The White Rose -- Why Cybraceros? -- Why Wal-Mart Works -- Winstanley -- The Wire -- Women for Sale -- Workingman's Death -- Working Women of the World -- The World -- Yang Ban Xi -- The Yes Men -- Zoned for Slavery -- Zoolander -- Topical Index.;Offers readers and viewers the opportunity to both discover new films and see well-known works in a new way.